36x36 in – Acrylic on Canvas
Dubes, 2025
What if everything you see is only a projection?
What if the universe itself is a living hologram, where light, thought, and matter unfold from the same invisible code?
The Fractal Holographic Projection draws from the holographic principle—the idea that our entire three-dimensional reality might be encoded on a distant two-dimensional surface, projected outward into the space we inhabit. Much like a hologram, depth and dimension are illusions born from information—light folded over light, vibration over vibration.
The layered grids and shifting blues mirror that encoding process. They suggest data written into the fabric of existence, repeating like fractals across every scale—from the spirals of galaxies to the synaptic patterns of the human brain. Every brushstroke acts as both code and echo, translating the invisible mathematics of being into color and texture.
In the early stages of a DMT experience—before the so-called “blast off”—many travelers describe watching reality deconstruct and reorganize into geometric grids of living light. That pre-threshold moment reveals the truth hidden in plain sight: that our reality is not solid at all, but fractal in its very architecture. What we call “the world” is a repeating algorithm of energy, endlessly folding in on itself.
This painting represents my visual interpretation of that precise moment—the instant where the illusion begins to shimmer, and the projection shows its seams. The familiar starts to dissolve, replaced by an awareness that everything around you, including you, is part of the same recursive pattern.
Through this lens, The Fractal Holographic Projection becomes more than an abstract painting—it’s a map of consciousness. A meditation on how perception constructs reality, how vibration becomes form, and how even illusion carries the fingerprints of the infinite.
36x36 in – Acrylic on Canvas
Dubes, 2025
What if everything you see is only a projection?
What if the universe itself is a living hologram, where light, thought, and matter unfold from the same invisible code?
The Fractal Holographic Projection draws from the holographic principle—the idea that our entire three-dimensional reality might be encoded on a distant two-dimensional surface, projected outward into the space we inhabit. Much like a hologram, depth and dimension are illusions born from information—light folded over light, vibration over vibration.
The layered grids and shifting blues mirror that encoding process. They suggest data written into the fabric of existence, repeating like fractals across every scale—from the spirals of galaxies to the synaptic patterns of the human brain. Every brushstroke acts as both code and echo, translating the invisible mathematics of being into color and texture.
In the early stages of a DMT experience—before the so-called “blast off”—many travelers describe watching reality deconstruct and reorganize into geometric grids of living light. That pre-threshold moment reveals the truth hidden in plain sight: that our reality is not solid at all, but fractal in its very architecture. What we call “the world” is a repeating algorithm of energy, endlessly folding in on itself.
This painting represents my visual interpretation of that precise moment—the instant where the illusion begins to shimmer, and the projection shows its seams. The familiar starts to dissolve, replaced by an awareness that everything around you, including you, is part of the same recursive pattern.
Through this lens, The Fractal Holographic Projection becomes more than an abstract painting—it’s a map of consciousness. A meditation on how perception constructs reality, how vibration becomes form, and how even illusion carries the fingerprints of the infinite.
